Myths Portfolio – Andy Warhol


The Myths Portfolio is one of Andy Warhol’s most sought after collections. Andy Warhol’s Myths collection contains ten screen prints of iconic mythical figures, including The Shadow, Uncle Sam and Howdy Doody, among many others.


From the 1960’s on, Andy Warhol exhibited an unerring sense for the powerful motifs of his time – contemporary images that capture the modern imagination as completely as the gods and goddesses of ancient mythology once did.


In Myths, he was referring not to remote civilizations, but to the beginnings of the cinema and the imaginary characters loved and recognized by millions all over the world.  Most images in Warhol’s Myths series are taken from old Hollywood films or 1950’s television and portray the universal view of America’s once enchanted and powerful past. 

To view our entire Andy Warhol collection please visit



Andy Warhol – A Brief History into The Man, The Artist, The Legend.


Andy Warhol, born – Andrew Warhola; (August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art.

Pop art  was an experimental form that many artists were independently adopting. Warhol, who would become famous as the “Pope of Pop”, turned to this new style, where popular subjects could be part of the artist’s palette.

His studio, The Factory, was a well known gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons. He loved celebrities, so he painted them as well.

Instead of working on a signature subject matter, as he started out to do, he worked more and more on a signature style, slowly eliminating the “handmade” from the artistic process. At the height of his fame as a painter, Warhol had several assistants who produced his silk-screen multiples, following his directions to make different versions and variations.

Warhol died in Manhattan, at 6:32 am, on February 22, 1987. According to news reports, he had been making good recovery from gallbladder surgery at New York Hospital before dying in his sleep from a sudden post-operative cardiac arrhythmia.

Warhol’s body was taken back to Pittsburgh, by his brothers, for burial. The coffin was a solid bronze casket with gold plated rails and white upholstery. Warhol was dressed in a black cashmere suit, a paisley tie, a platinum wig, and sunglasses. He was posed holding a small prayer book and a red rose. Warhol was buried next to his mother and father. Later, a memorial service was held in Manhattan for Warhol on April 1, 1987.

Please check blog every week in February for a closer look into the works of Andy Warhol.



Mr. Brainwash—The Passionate and Obsessive Mind of Street Art

Mr. Brainwash is an artist who was inspired by the exciting and sometimes dangerous life of the street artist. He served his apprenticeship over a period of years following and filming street artists plying their craft around Los Angeles and London.

His passionate and obsessive mind has driven him to learn and grow as a street artist. His very first show, “Life Is Beautiful,” was the result of putting everything he had on the line when he had no real idea of the enormity of the task or what the outcome might be—the very essence of creative energy and force.

The idea of street art is to create a dramatic reaction. Done mostly at night and in secret, a street artist lurks the streets looking for walls to paint their vision. It has to be done quickly and the impact has to be immediate for the artist to be successful. One day there is an empty wall and the next, a powerful message commenting on the conditions of man.

Mr. Brainwash has earned his place in the world of street art by showing that he has the courage to do something big to get the message across. He has also demonstrated the importance of hype which is necessary for expanding the consciousness of a larger audience—the goal of every street artist.

What is art? It is the mix of things which otherwise have not mixed. It is the spontaneous outcome of choices and decisions—the fate of colliding forces. It is the vision of a man and his ability to render it (or have it rendered) in the physical world of textures, flavors, sounds and sights. Art is everything.

See Mr. Brainwash art at Gallery Art Miami


FAILE (Artist Collaboration)

vice-art-talk-video-faile-0FAILE (Pronounced “fail”) is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975, Edmonton, Alberta) and Patrick Miller (born 1976, Minneapolis, Minnesota). Since its inception in 1999, FAILE has been known for a wide ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage.

While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to vast array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels.

FAILE, like many of their contemporaries in the street art community, emphasize art making over indirect political statements or sloganeering, but their work often contains both passive and overt messages, usually cloaked in ambivalence.

While there is not an explicitly partisan or anti-capitalist edge to this type of work, it is structurally a political act in its flouting of laws, embrace of punk-rock and hip-hop aesthetics, and function as a means of populist or direct to the masses expression. There also exists in graffiti and street art a deeper anti-establishment trend in its attempt to beautify and reclaim the urban environment, and blur the line between the elite art gallery systems and the “outside” world of the streets.

FAILE argues that, “our process has always resembled this loose and fast critique on society, whether it be literal or figurative. Our image-making has at times been very methodical and researched, other times it’s been experimental and dirty. Street art at its roots is ‘punk.’ It set out to critique and comment on a world it felt outside of.”


For the Wynwood Kitchen & Bar patio wall, Patrick McNeil and BÄST painted a salon of imagery with different narratives, stories and themes all interwoven for the viewer to explore. FAILE’s images are a selection of their work mostly from 2010–2011. In the background of the wall, painted in bright blue with rollers, the letters spell BAILE to mark the collaboration. Patrick comments, “For us it wasn’t too over-thought. It’s just more about getting together, having some fun in a legal spot, and not having the stress of doing it on the street.” 

You can view more of FAILE by visiting

Who IS Martin Whatson?




Martin Whatson (b. 1984) is a Norwegian born and based stencil artist. While studying Art and Graphic design at Westerdals School of Communication, Oslo, he discovered stencils and the urban art scene.

Martin creates unique stencil scenes, with a message signifying peace and love, yet, packed with bold statements that say a lot about the world today. He is an emotional artist that seeks to transmit feelings and with a great taste for aesthetics and the beauty of images and color. He has a continuous urge to search for beauty in what is commonly dismissed as ugly, out of style or simply left behind. He looks for inspirations in people, city landscapes, old buildings, graffiti, posters and decaying walls. 

This interest for decay has helped develop his style, motives and composition and he enjoys creating either unity or conflict between materials, backgrounds, motives and human intervention. His artistic expression started more political, but has developed into a more subtle expression blending graffiti, stencil art and decay together. 


Inspired by artist like Jose Parlá and Cy Twombly. His abstract graffiti and stencils are a mix of urban scenes showing the development of a walls lifetime. He use grey tones as a basis but add’s vibrant colors to break the monochrome concrete expression and bring a splash of life to his motives.


Since his artistic debut in 2004, he has had several solo shows and participated in many group exhibitions, both nationally and in internationally. We can find his work shown to the public in urban murals in cities of his homeland, like Stavanger or Oslo but he has also crossed his country frontiers to other places like Tokyo, Paris, London, New York, Miami, Las Vegas and Los Angeles. 


During Art Basel 2016 Whatson created a Massive Mural named “Sweeper” for the Raw Project at the Edina M. Hartner Elementary School located in Wynwood, FL. We stopped by during Basel and took these photos the Day after Martin completed his newest wall.

You can more of Martin Whatson pieces at



Steve Kaufman Pop Artist

Steve Alan Kaufman (December 29, 1960 – February 12, 2010) was a true great American pop artist and former assistant to Andy Warhol, who gave Steve Kaufman the nickname “SAK” using the initials of Steve’s name.

Steve Kaufman in his day-to-day life embodied and delivered the true American pop art experience. He painted iconic people, historical figures, and products significant in our daily lives. He was an artistic journalist who commented on both history and current events with his art. Steve Kaufman advanced the use of the silkscreen process, and was most widely recognized for his use of vivid colors and hand embellishment. Steve was very prolific — he would paint on just about anything! Read More:

Steve Kaufman artwork at Gallery Art


The Deep Thoughts of Victor Vasarely

Victor Vasarely was a Hungarian–French artist widely accepted as the leader of the short-lived op art movement. His work combines optical illusion, patterns and organic images and have become deeply rooted in popular culture impacting architecture, computer science, fashion, and the way we now look at things in general.

Vasarely was born in Pécs and grew up in Pöstyén and Budapest, where in 1925 he took up medical studies at Eötvös Loránd University. In 1927, he abandoned medicine to learn traditional academic painting at the private Podolini-Volkmann Academy.

Vasarely left Hungary and settled in Paris in 1930. He worked as a graphic artist and as a creative consultant at the advertising agencies Havas, Draeger and Devambez (1930–1935). His interactions with other artists during this time were limited.

Vasarely eventually went on to produce art and sculpture using optical illusion. Over the next three decades, he developed his style of geometric abstract art, working in various materials but using a minimal number of forms and colours.

Victor Vasarely art at Gallery Art