Each first week of December, Miami becomes the favorite meeting place for the international art world crowd. Once again, Miami Art Week will take over the city, gathering world’s top gallerists, artists, curators, collectors and enthusiasts.
As part of this dense and vibrant cultural event, Spectrum Miami returns for another strong edition, co-locating with Red Dot Art Fair. It will be hosted by the Arts & Entertainment District, Miami’s new cultural center still being defined by the burgeoning creative scene. A curated contemporary art show featuring an international slate of artists and galleries, Spectrum Miami 2017 is where contemporary meets extraordinary.
Expecting tens thousands of visitors, the fair will present top galleries and artists from the United States and around the world. In addition, this five-day fine art experience will feature Art Labs, Art Talks, Meet the Artist sessions, music, entertainment, and other special events.
Once again, Spectrum Miami will also be hosting ArtSpot Miami Art Show. This stand-alone event inside the show will feature a carefully selected modern, contemporary and cutting-edge galleries with strong curatorial programs and their represented artists.
Please join Gallery Art for the remainder of Spectrum Miami, Red Dot & ArtSpot International at booth 403 & 404. Saturday, December 9th from 1:00 pm-9:00 pm, Sunday, December 10th from 12:00 pm-5:00 pm located at 1700 NE 2nd Ave., Miami, FL 33132 , Arts & Entertainment District.
You can also visit our store located at 20633 Biscayne Blvd, Aventura, FL 33180 or view our website at GallArt.com
Gallery Art owner Kenneth Hendel holds on tightly to Picasso’s ‘Portrait de Marie-Therese’ at his gallery in Aventura on Wednesday, April 20, 2016. Hendel received a letter from a New York law firm saying that the Picasso in his gallery was stolen ten years ago from the Tisch family and they just noticed it was missing now. The gallery owner contends he bought the art from another dealer – paid $350,000 for it — and that he knows nothing about it being stolen.
PATRICK FARRELL email@example.com
Could this year’s Art Basel in Miami Beach see the worst traffic ever for the famously hectic art fair week? The city’s famously clogged roads are going to be even worse this December thanks to the closure of the Venetian Causeway.
One of three passages between Miami Beach and Miami, the Venetian Causeway helps relieve congestion on the MacArthur Causeway to the south or the Julia Tuttle Causeway to the north. Visitors to Art Basel in years past need no reminder of how difficult it can be to get from Miami Beach to say, the Pérez Art Museum Miami, or Wynwood when traffic slows to a crawl on the causeways.
The nine-month, $12.4-million project, which began in late May, will rebuild the causeway’s western drawbridge. Built in 1927, the historic span was patched with metal plates during a renovation in the late 1990s. The need for a better solution became clear in March 2014, when a plate was dislodged and a bus became stuck in the gap.
The city is offering other transit options, which will include water taxis as well as a free trolley service running along the length of Miami Beach that connects the main convention center to the Design District.
The city is also testing out a new “Miami-Dade Art Express” bus route, which is also free. Running every 20 minutes between 11:00 a.m. and 11:00 p.m., the bus will provide an alternate mode of transportation across the Julia Tuttle Causeway.
Nick Korniloff, head of two fairs in Miami (Art Miami and its sister fair CONTEXT) and one in Miami Beach (Aqua Art Miami), is hopeful that the effects of the closure won’t be too dramatic. “The Venetian was convenient up until a point,” he told artnet News via e-mail, “but never came close to being able to handle the bulk of traffic that the interstates [on the other causeways] do.”
GallArt.com Wants To Wish A Very Happy Birthday To One Of The GREAT Masters of Art! Alex Katz!
Katz has received numerous accolades throughout his career. In 2007, he was honored with a Lifetime Achievement Award from the National Academy Museum, New York. In 2005, Katz was the honored artist at the Chicago Humanities Festival’s Inaugural Richard Gray Annual Visual Arts Series. The same year, he was awarded an Honorary Doctorate of Fine Arts from Colgate University, Hamilton, New York— his second Honorary Doctorate, following one from Colby College, Maine, in 1984. Katz was named the Philip Morris Distinguished Artist at the American Academy in Berlin in 2001 and received the Cooper Union Annual Artist of the City Award in 2000. In addition to this honor from Cooper Union, in 1994, his alma mater created the Alex Katz Visiting Chair in Painting with the endowment provided by the sale of ten paintings donated by the artist. Katz was inducted by the American Academy and Institute of Arts and Letters in 1988. In 1987 he was the recipient of the Pratt Institute’s Mary Buckley Award for achievement and also received the Queens Museum of Art Award for Lifetime Achievement. The Chicago Bar Association honored Katz with the Award for Art in Public Places in 1985. In 1978, Katz received the U.S. Government grant to participate in an educational and cultural exchange with the USSR. Katz was awarded the John Simon Guggenheim Memorial Fellowship for Painting in 1972.
Works by Alex Katz can be found in over 100 public collections worldwide. Most notably, those in America include: Albright-Knox Museum, Buffalo; The Art Institute of Chicago; The Brooklyn Museum; Carnegie Museum of Art, Pittsburgh; Des Moines Art Center; Hirshhorn Museum and Sculpture Garden at the Smithsonian Institution, Washington, D.C.; The Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Milwaukee Art Museum; The Museum of Fine Arts, Boston; The Museum of Modern Art, New York; The National Gallery of Art, Washington, D.C.; National Museum of American Art, Smithsonian Institute, Washington, D.C.; National Portrait Gallery, Smithsonian Institution, Washington, D.C.; Philadelphia Museum of Art; the Wadsworth Athenaeum, Hartford; and The Whitney Museum of American Art, New York. Additionally, Katz’s work can be found in the Albertine Graphische Sammelung (Austria), the Atenium Taidemuso (Finland), the Sara Hildén Art Museum (Finland), the Bayerische Museum (Germany), the Berardo Collection (Portugal), the Essl Collection (Austria), the French National Collection, the Israel Museum, IVAM Centre Julio Gonzalez (Spain), the Metropolitan Museum of Art (Japan), Museum Moderne Kunst (Austria), the Museo Nacional Centro de Arte Reina Sofia (Spain), the Nationalgalerie (Germany), the Saatchi Collection (England), and the Tate Gallery (England), among others.
In 1968, Katz moved to an artists’ cooperative building in SoHo, where he has lived and worked ever since. He continues to spend his summers in Lincolnville, Maine.(via AlexKatz.com)
Aching for the perfect poolside scene to hang on your wall? Here, we take a look at two artists known for their magnificent handling of the subject: David Hockney and Massimo Vitali.
David Hockney, one of the most expensive living British artists, recently made headlines with his scathing remarks about Gerhard Richter. “To be honest, I don’t really understand Richter,” he told Monopol. “The pictures are quite nice, but also a little like the belle peinture from Paris in the 50s. And I mean that pejoratively.”
Hockney is a key figure of the Pop art movement of the 1960s and his auction records show it. His serene poolside paintings and pictures of modern houses now command millions at auction. It’s hard to believe he sold his first painting for a mere £10.
Also known for his water-filled scenes is Massimo Vitali, the Italian photographer who has captures exotic and action-packed beaches around the world. His most expensive work at auction, Rosignano (diptych) (2004), fetched $151,000 at Phillips in 2008.
“Vitali’s photos are micro elements of a larger landscape he’s looking at,” said Rachel Smith of Benrubi Gallery. “It’s all about how we consume leisure and where we go en masse.”
Indeed, Vitali’s faded out pictures of the Italian seaside reflect lives lived in leisure and are great for those who enjoy staring at beautiful people sunbathing and swimming—who wouldn’t?
The 71-year-old artist has cited Gerhard Richter and the Kunstakademie Düsseldorf, which Gursky attended, as his main influences. (via artnet News)